Johannes Heldén b. 1978
Working with a variety of media, Johannes Heldén explores subjects like ecology, evolution, sentience and artificial intelligence. Often set in a near future, Heldén's fictional worlds are created by means of images, animation, text and music, combined in site specific installations, performances and digital works. In a fashion similar to that of science fiction, Heldén invites the viewers to interact and explore the worlds, making them co-creators. In these carefully depicted settings, which resemble the real world in an eerie way, Heldén makes us aware of our own perception and concept of nature, and the impact we have on the planet today.
Johannes Heldén (b. 1978 in Katrineholm, Sweden) holds an MFA from Valand Academy of Fine Arts, Gothenburg (1999-2004). He was the IASPIS artist-in-residence at ISCP, New York in 2018-19, the recipient of the Åke Andrén Art Prize in 2015, and the project Evolution (in collaboration with Håkan Jonson) won the inaugural N. Katherine Hayles prize in 2014. Heldén has exhibited extensively, both in Sweden and internationally, with recent solo exhibitions at Varbergs Konsthall (2020), Judiska Museet C/O Textilmuseet in Borås (2018), Konstakademien in Stockholm (2018), and Kunsthall Trondheim (2017). Recent group exhibitions include ARKEN Museum of Modern Art (2021-22), MSU Broad Museum in East Lansing (2021), Malmö Konstmuseum (2020), Bonniers Konsthall (2019), Fiskars Village Art & Design Biennale (2019), and the Desert X biennale in Coachella Valley (2019).
Heldén is represented in the collections of Moderna Museet, Malmö Art Museum, Borås Art Museum, Public Art Agency Sweden, Stockholm City Council, and Maria Bonnier Dahlin Foundation. He is a fellow of the MacDowell Colony, Headlands Center for the Arts, Hawthornden Castle, among others.
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Johannes Heldén – Emergence
23 May - 20 June 2024We are proud to present Johannes Heldén’s second solo exhibition, Emergence, featuring watercolour collages and a video installation. The new project includes a continuation of the glossary started in Astroecology...Read more -
Once in a Blue Moon – Group show with gallery artists
15 January - 6 March 2021We are kicking off the new year with a group exhibition featuring selected works by gallery artists. The expression 'Once in a Blue Moon' refers to something which happens rarely...Read more -
Johannes Heldén – Worlds
30 March - 11 May 2019Cecilia Hillström Gallery is pleased to present Johannes Heldén's first solo exhibition at the gallery, Worlds. Working with a variety of media, Heldén explores subjects like ecology, evolution, sentience and...Read more -
Sculpture Unleashed – Group show in collaboration with Berg Gallery
24 May - 20 June 2018Read more about Berg Gallery here. Participating artists: Amalia Bille Ellen Ehk Åkesson Karolina K Eriksson Johannes Heldén Linda Hofvander Karin Karinson Clay Ketter Katja Larsson Ellen Malmgard Ebba Matz...Read more
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Chester’s Lace (Anthriscus sylvestris), 2024
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Rain Garden (Elytrigia repens), 2024
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Ghost Referral (Plantago major), 2024
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Roadside Monument (Echinops sphaerocephalus), 2024
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Answered Prayers (Populus tremula), 2024
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Rain, After Running Away (Pontederia crassipes), 2024
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Carte de visite (Lonicera caprifolium), 2024
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Dark Ray, 2022
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Epigraph, 2022
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Stingray , 2020
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Meditation (Marsh Cinquefoil), 2019
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Meditation (Broadleaf Plantain), 2019
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Mission Patches, 2019
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Untitled Islands (VII-IX), 2019
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Untitled Islands (X-XII), 2019
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Untitled Islands (XIII-XV), 2019
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"...Johannes Heldén står för utställningens mest självklara möte"
Sebastian Johans, DN, 16 March 2023 -
”Johannes Heldén på resa till en okänd planet”
Viola Bao, DN, 26 April 2019 -
"...suggestiva studier över en fantasivärld..."
Joanna Persman, SvD, 21 April 2019 -
”Poetiskt rymdepos med destination språket”
Sebastian Lönnlöv, SvD, 16 April 2019 -
”Exoplanetär florfauna”
Daniel Sjölin, Expressen, 13 April 2019 -
”…hemlighetsfullt glimmande existens.”
Hanna Nordenhök, GP, 12 April 2019 -
"Cecilia Hillström i nya lokaler"
Susanna Slöör, Omkonst, 9 April 2019 -
"Desert X i Kalifornien"
Jenny Danielsson, Konsten.net, 5 March 2019 -
"...each creative gesture confirms his dedication to both text and image, expressed with equitable consideration."
Jacquelyn Davis, Kunstkritikk, 17 January 2018