Cecilia Hillström Gallery
Skip to main content
  • Menu
  • Artists
  • Exhibitions
  • News
  • Press
  • Video
  • About
  • Contact
Menu
  • Current
  • Upcoming
  • Past

Linda Hofvander – Alterations

Past exhibition
11 April - 12 May 2013
  • Overview
  • Installation Views
  • Press
Overview
Installation view, Linda Hofvander, Alterations, 2013, Cecilia Hillström Gallery. Photo: Jean-Baptiste Béranger
Installation view, Linda Hofvander, Alterations, 2013, Cecilia Hillström Gallery. Photo: Jean-Baptiste Béranger

Let’s start with the X that indicates where it “took place”, so that we have a point from which to start and perhaps return to. The X constitutes a specific situation in the sense that it is both a symbol as well as a location. Two branches have been painted white, their common angles sending out a message from a chaotic point of existence. Nature is a jumble of transient connections that in turn form the basis for our powerful urge to seek order, context and meaning in all that we see.

 

The stakes are high in Linda Hofvander’s pictorial world. “None of the images is a perfect illusion”, as she herself puts it, “and they are easily revealed.” I take on the challenge, but find myself after a while on the opposite side of the fence. Her images deftly reflect my perspective and make my eyes accountable. To see is to love, and one might as well just surrender to the fact!

 

When Linda Hofvander was my student at the School of Photography in Gothenburg, we often spoke of her work in terms of research. She would, for example, depict phenomena such as heat, cold and surface tension in a pragmatic albeit narrative manner. No abstractions in the form of graphs and diagrams, but instead another presentation of proof, namely the photographic image. With skill of hand and a strict imagery she excelled in this magical form of realism.

 

I take note that Hofvander’s latest images possess the same research-like quality, but here it is the act of seeing itself and the conventions surrounding it that are coerced. The photographic gaze, in other words. And as far as I can tell, no other gaze exists than that of the camera eye in Hofvander’s mirrors. Here we are confronted by images that describe scale relationships and perspectives. Signs that emerge in our apparatus of understanding as pragmatic dispatches from the subconscious. As Edmund Husserl once wrote, “Zu den Sachen selbst” (return to the things themselves), and the photographic technique is in fact the perfect means by which to do just that, to come closer, even though it demands an extensive reformulation of the phenomenological reality. Closer to the objects, the items and things, while at the same time distancing oneself, backing up to see a little clearer. Reducing an object into an image, however, also entails providing it with a new status. “I honour you with my gaze, and it is now up to you to acknowledge your role in this drama!”

 

In a space that resembles a storage room or just barely passes as a studio, a green-coloured screen stands propped up against a wall and is reminiscent of itself. At first I saw a thick forest, a nature lyrical artefact of sorts. And then an empty blackboard in a classroom, as of yet uncluttered by the thousands of ensuing thoughts and markings – longingly vibrating in green. I eventually make the connection to the chroma-key Green Screen that is used in the digital world of moving images as a surface where anything can be projected, inserted and played out. A place for everything and nothing. The X suddenly becomes a hopeful statement that it is never too late to mark one’s territory in a pictorial world that devours our eyes, gluttonously and with a shudder, as though they were oysters.

 

Annika von Hausswolff, March 2013
Translation: Richard G Carlsson

Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Installation Views
  • Installation view, Linda Hofvander, Alterations, 2013, Cecilia Hillström Gallery. Photo: Jean-Baptiste Béranger
    Installation view, Linda Hofvander, Alterations, 2013, Cecilia Hillström Gallery. Photo: Jean-Baptiste Béranger
  • Installation view, Linda Hofvander, Alterations, 2013, Cecilia Hillström Gallery. Photo: Jean-Baptiste Béranger
    Installation view, Linda Hofvander, Alterations, 2013, Cecilia Hillström Gallery. Photo: Jean-Baptiste Béranger
Press
  • ”Bild eller skulptur – välj själv!”

    Anders Olofsson, Konsten.net, 16 April 2013
    This link opens in a new tab.

Related artist

  • Linda Hofvander

    Linda Hofvander

Back to Past exhibitions

Cecilia Hillström Gallery

Hudiksvallsgatan 8, 2nd floor, 113 30 Stockholm, Sweden

info@chgallery.se

 

Tuesday–Friday 11–18, Saturday 12–16 and by appointment. 

Go
Facebook, opens in a new tab.
Instagram, opens in a new tab.
LinkedIn, opens in a new tab.
Join the mailing list
Send an email
Manage cookies
Copyright © 2025 Cecilia Hillström Gallery
Site by Artlogic

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences
Close

Join our mailing list

Signup

* denotes required fields

We will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.